Eric Stokes: The Pickpocket is Lyrical, Two





The Pickpocket is Lyrical, Two (1994)
by Eric Stokes

I. Bull ‘Gine ‘n’ Tarriers

II. Breath Can Blow Both Ways

…hot on cold fingers

…cold on hot soup

III. Pop the Whip

IV. Go ‘Way From My Window

…from my door

…my bedside

…bother me no more

V. Over the Deep Blue Moon

The Pickpocket is Lyrical Two incorporates several folk melodies (and a few of the composer’s own) in a fairly straightforward setting rich in lyricism and humor.

Zeitgeist enjoyed a long association with Eric Stokes, beginning with the band’s inception in 1977. He generously served us as composer, advocate, board member, gadfly, and friend. Eric Stokes (1930–1999) studied music at Lawrence College and composition with Carl McKinley and F. Judd Cooke at the New England Conservatory and with Dominick Argento and Paul Fetler at the University of Minnesota. From 1961 to 1988 he taught at the University of Minnesota, becoming professor in 1977. Eric Stokes’ early compositions (1955–62) are tonal and lyrical; among them, Smoke and Steel shows the interest in American subjects that became a vital aspect of his work. From 1963, Stokes’ style has expanded to include collage, theater, and mixed media pieces; these works reflect the influence of Ives in their use of stylistic juxtaposition, of Henry Brant in their spatial deployment of forces, and of American jazz, hymns, and folk songs. Stokes’ first opera Horspfal (produced by the Minnesota Opera Company in 1969) concerns the misadventures of American Indians since the coming of white men. It is a spatial work combining film and collage procedures with the vocal and instrumental forces. This unique compositional design is directed in some episodes by as many as 4 conductors assisting the principal conductor. One of his last works, a large-scale work for chorus, band, and narrator titled Out of the Cradle, was premiered by the University of Minnesota choir and wind ensemble in 2000.

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