Time Keys and Spirit Hammers (1982) 12’08’’
by F.J. Sacci
While writing Time Keys and Spirit Hammers, I became interested in confronting modern music and its relationship to other musical entities, including rock and roll and its divisions. After being in Holland for several years, a longing to be in the rich American musical environment began to dominate my feelings about music, the pure aural sensations of rock music, and strange and repetitious chord progressions are combined throughout the piece.
The music is composed using sounds similar in nature to those being played on New York rock stations. Creating three short new wave-like melodies, I then wrote relatively repetitious chordal ideas and rhythms to appear with the unusual melodies. Hearing the piece might be described as driving down the road listening to your radio, switching your dial every few seconds, but the same tunes in different transformations are on every station.
With these compact pop motives and the well-tested theme and variation form, I describe Time Keyes and Spirit Hammers.